Melodrama and punishment are key ingredients of Bollywood. Very few films, almost parallel cinema, experimenting on the other - but the filmmakers and the primary masses both love the "Masala". And why not, when positioned correctly, a few scenes of melodrama or beautiful songs and dance sequences can provide a dynamic box office film successes laughing.
Combining the penalty and melodrama in a film is an elegant way of courage - may exist so called "formula" to sell, but they alone can not sign a well done and click on the movie - it takes creativity, l 'innovation and talent of the elements combine into a set of useful satisfied. And courage is the do ... Films like Sholay, Om Shanti Om and Singh Is Kinng found the right dosage, while many had forgotten, like Drona which may not. And responsibility to get this right is dependent not only on good movies, but also the players - some as Amitabh Bachchan and Shahrukh Khan met know do it every time.
Films 'Bollywood style' to their origins in early Indian and folk theater, which presented larger than life characters, situations and fantasies. The theatrical previously musicals too. The world of dreams as Bollywood was inspired by. Larger than life images, characters, fantasies and dreams are selling like hotcakes in a country where many times its hard to find something in the movie to add zing and not change the variance in life daily.
Bollywood - the cinema of excess are both conventional and critical praise for its unique style. To be fair, it is not only the Philippines consumes manufactures and melodrama in the film, Hollywood is also a huge sucker for big imagination that parody life. All movies superheroes, whether the latest Batman or Die Hard, based on no real power packed dialogues, situations and states - all delivered to "punch" Extra. " The song and dance sequences may sound funny, but often times they are most needed relief rally dialogues and communicate the film enjoyable. It may be "much fun.
Although the "masala" in Bollywood is not fashion, but it should not restrict the directors of research on the unique style. Experimentation is essential to any form of courage - the imagination can never be limited and the arrangement of paintings "must change and evolve. And for the sake of development in the courage and creativity.
Combining the penalty and melodrama in a film is an elegant way of courage - may exist so called "formula" to sell, but they alone can not sign a well done and click on the movie - it takes creativity, l 'innovation and talent of the elements combine into a set of useful satisfied. And courage is the do ... Films like Sholay, Om Shanti Om and Singh Is Kinng found the right dosage, while many had forgotten, like Drona which may not. And responsibility to get this right is dependent not only on good movies, but also the players - some as Amitabh Bachchan and Shahrukh Khan met know do it every time.
Films 'Bollywood style' to their origins in early Indian and folk theater, which presented larger than life characters, situations and fantasies. The theatrical previously musicals too. The world of dreams as Bollywood was inspired by. Larger than life images, characters, fantasies and dreams are selling like hotcakes in a country where many times its hard to find something in the movie to add zing and not change the variance in life daily.
Bollywood - the cinema of excess are both conventional and critical praise for its unique style. To be fair, it is not only the Philippines consumes manufactures and melodrama in the film, Hollywood is also a huge sucker for big imagination that parody life. All movies superheroes, whether the latest Batman or Die Hard, based on no real power packed dialogues, situations and states - all delivered to "punch" Extra. " The song and dance sequences may sound funny, but often times they are most needed relief rally dialogues and communicate the film enjoyable. It may be "much fun.
Although the "masala" in Bollywood is not fashion, but it should not restrict the directors of research on the unique style. Experimentation is essential to any form of courage - the imagination can never be limited and the arrangement of paintings "must change and evolve. And for the sake of development in the courage and creativity.
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